5|C-e-C-F-----a-----G-------|
5|------C-e-C-a-----G-----e-|
5|------------C-e-C---------|
5|--C-e-C-F-----a-----G-----|
5|--------C-e-C-a-----G-----|
5|e-------------C-e-C-F---C-|
5|C-C-C-d-C---C-------------|
4|--------------b-a-------e-|
5|C-C-----------------C-C-C-|
4|----b-a---b---------------|
5|C-d-C---C-------------C-C-|
4|----------b-a-------e-----|
5|------------C-------------|
4|b-a---b---e---b---a---b---|
5|C-------------------------|
4|------F-FFF-FF-F-FF-FFF-F-|
5|----C-C-F-F-e-C---C-C-C-F-|
5|F-e-C---d---e-------------|
5|--------------------F-----|
5|F-F---e---F---F-F-F---G---|
5|e---F-F-F---e---F---F-F-F-|
5|--e---F---F-F-F---e---F---|
5|F-F-F---G---e---F-F-F---e-|
5|--F---F-F-F---e---F---F-F-|
5|F-F-e-F---e-e-e-----------|
5|e-e-e---C---C-d-C-------C-|
4|--------------------b-----|
5|--C-----C-C-C-C-d-C---C---|
4|------a-----------------b-|
5|----------C-C-------------|
4|a-------e-----b-a---------|
5|C-------------C-----------|
4|--b---a---b---------F-FFF-|
5|------------------C-C-F-F-|
4|FF-F-FF-FFF-F-------------|
5|e-C---C-C-C-F-F-e-C---d---|
5|e-------------------------|
4|------F-FFF-FF-F-FF-FFF-F-|
5|----C-C-F-F-e-C---C-C-C-a-|
5|-G--a-----G---F---------F-|
5|a-G-----------F-G---a-----|
5|--G-------a-------G-------|
5|F---------F-a-G-----------|
5|--G-F-G-G---G---F-G-F-G-G-|
5|--G---G-a-G-----F-----e---|
5|--F-----F-F---e---F---F-F-|
5|F---G---e---F-F-F---e---F-|
5|--F-F-F---e---F---F-F-F---|
5|e---F---F-F-F---G---e---F-|
5|F-F---e---F---F-F-F---e---|
5|F-----F-F---e---F---F-F-F-|
6|----------C-C-C-C-d-C---C-|
5|--G---e-------------------|
5|b-a---------F-----F-F---e-|
6|----------------------C-C-|
5|--F---F-F-F---G---e-------|
6|C-C-d-C---C---------------|
5|------------b-a-a---G---F-|
Quick guide on how to read the letter notes
The numbers in front of each line are the octave, each octave has an unique color so you can easily follow them.
Lowercase (a b c d e f g) letters are natural notes (white keys, a.k.a A B C D E F G ).
Uppercase (A C D F G) letters are the sharp notes (black keys a.k.a. A# C# D# F# G#), look at the image below to see where each letter note is on the piano keyboard.
The lines / dashes (-) between letters indicates timing to play the notes. Just listen to the audio file at the top of the post to figure out the time lenght of the dashes (usually 5-6 dashes is about 1 second)
RH / LH means Right Hand / Left Hand and it's mostly for people who play the piano, it tells them with what hand to play the lines. Also, if you want to play a easy version of the song, playing only the RH lines does exactly that, because on most songs RH notes are for melody and LH notes are for bass.
I want to know that where are the blue octaves
ReplyDeleteblue octaves are for full size pianos, if you have a small keyboard you don't have the blue octave.
DeleteTry to play the blue notes on the highest octave you have, it should still sound ok...
Thank you,but when i try with the red ones they don't really sound the way they should.
ReplyDeleteUse the orange octave instead of blue octave
Delete[Chester Bennington (Mike Shinoda):]
ReplyDeleteI'm tired of being what you want me to be
Feeling so faithless, lost under the surface
Don't know what you're expecting of me
Put under the pressure of walking in your shoes
(Caught in the undertow, just caught in the undertow)
Every step that I take is another mistake to you
(Caught in the undertow, just caught in the undertow)
[Chester Bennington:]
I've become so numb, I can't feel you there
Become so tired, so much more aware
I'm becoming this, all I want to do
Is be more like me and be less like you
[Chester Bennington (Mike Shinoda):]
Can't you see that you're smothering me
Holding too tightly, afraid to lose control?
'Cause everything that you thought I would be
Has fallen apart right in front of you
(Caught in the undertow, just caught in the undertow)
Every step that I take is another mistake to you
(Caught in the undertow, just caught in the undertow)
And every second I waste is more than I can take
[Chester Bennington:]
I've become so numb, I can't feel you there
Become so tired, so much more aware
I'm becoming this, all I want to do
Is be more like me and be less like you
And I know
I may end up failing too
But I know
You were just like me with someone disappointed in you
I've become so numb, I can't feel you there
Become so tired, so much more aware
I'm becoming this, all I want to do
Is be more like me and be less like you
[Chester Bennington (Mike Shinoda):]
I've become so numb, I can't feel you there
(I'm tired of being what you want me to be)
I've become so numb, I can't feel you there
(I'm tired of being what you want me to be)